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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Степанов А. Д.: Проблемы коммуникации у Чехова. Summary
Входимость: 5. Размер: 17кб.
2. Малькомес К. - Чехову А. П., 8/20 апреля 1894 г.
Входимость: 2. Размер: 6кб.
3. Бернштейн Г. - Чехову А. П., 29 октября/11 ноября 1901 г.
Входимость: 2. Размер: 7кб.

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1. Степанов А. Д.: Проблемы коммуникации у Чехова. Summary
Входимость: 5. Размер: 17кб.
Часть текста: genres has been developed mainly in the field of linguistics, where the principal object of study is not literary language. Drawing upon the work of linguists, this Bakhtinian critical study has therefore been undertaken with the goal of “returning” speech theory to the study of literature. A new typology of speech genres is presented that seeks to unite Bakhtin’s theory with Roman Jakobson’s model of communication and the functions of language. This thesis contends that authors understand the nature of communication in different ways, a specificity that can be extended to literary movements or even to whole cultural epochs. My hypothesis has been examined in relation to Chekhov’s understanding of communication, as it is revealed in his texts, together with that of some of his predecessors in classical Russian literature (Turgenev, Tolstoy, and Dostoevsky). Studies of communication in Chekhov have, in general, been limited to single stories and plays, or to a small sample of his work. This study examines over three-hundred and fifty Chekhov texts, including all the major plays and short stories, as well as many of the early comic stories (rarely discussed by critics). The theoretical framework of speech genres has been employed to study Chekhov’s complete oeuvre. Since the first performances of his plays by the Moscow Art Theatre, nearly a century ago, critics have pondered misunderstandings and “breakdowns of communication” between Chekhov’s characters. A critical consensus has arisen which argues that: “Chekhov’s characters do not want to understand each other. They are good...
2. Малькомес К. - Чехову А. П., 8/20 апреля 1894 г.
Входимость: 2. Размер: 6кб.
Часть текста: geschätzten Schreibens beeile ich mich, Ihnen inliegend den Betrag von 50 Mark = 22, 70 Rubel nach hastigen Cours zu übermitteln und bitte höflichst, mir den Empfang anzuzeigen. Gleichzeitig danke ich Ihnen verbinlichst für gefällige Namhaftmachung der drei weiteren Erzählungen Ihrer Feder, die ich eventuell gern zum Abdruck bringen werde 1 , sehr freuen würde es mich, auch einmal einen Roman von Ihnen bringen zu können. Leider steht der russische Buchhandel und auch die russische Presse meinem Unternehmen immer noch sehr unfreundlich gegenüber — sie betrachten, wie es scheint alle, meine “Internationale Russische Bibliothek” als einen Eindringling, dem man bekämpfen müsse, was ganz unbegründet ist. Mein Programm ist aus dem Prospekt, welcher auf den Innenseiten eines jeden Bändchens meiner Bibliothek abgedruckt ist, klar ersichtlich, dieselbe bildet also nicht einmal eine Conkurrenz für den eingeimischen Buchhandel, wohl aber kann in der Verbreitung der russischen guten Litteratur und damit also den russischen Schriftstellern nur nützen. Deshalb wäre ich auch Ihnen, sehr geehrter Herr, dankbar, wenn Sie Ihre hervorragende Stellung in der russischen Schriftstellerwelt benutzen würden, uns mit dazu beizutragen, den meinem Unternehmen etwas freundlichere Beachtung in Ihrem Lande geschenkt werde. Bei dieser Gelegenheit frage ich höflichst an, ob Sie eventuell auch einmal geneigt wären, einem guten deutschen Roman...
3. Бернштейн Г. - Чехову А. П., 29 октября/11 ноября 1901 г.
Входимость: 2. Размер: 7кб.
Часть текста: the Russian without any remuneration to the author of the original. Being connected with several of the largest and thoroughly reliable book-publishing firms, I am in a position to arrange that you shall get a royalty of about 15% on your new novel, if you send me either a copy or proofsheets of the manuscript, so that I could translate the novel and have it published here at the same time it is published in Russia. In that case alone can the translation be copyrighted in this country. If necessary, I should be glad to furnish to you the most reliable references either through the Russian or the American consul. I write this note in the hope that you will look upon my suggestion in the proper light and I beg to assure you that your interests will be properly represented. As to the translation, I can promise you that it will be done carefully, conscientiously, thoroughly. I have already translated a number of your short stories, such as “The Incased Man”, and “The Peasants”, also Tolstoy’s “Ressurection” and Gorky’s “Foma Gordeyev”, a copy of which has been forwarded to you by current mail. I am also writing original stories. You would greatly oblige me by sending me a brief outline or synopsis of your new novel. Hoping for a favorable reply from you, I am, With highest regards and best wishes, Very respectfully yours, Herman Bernstein .   P....